Step.4D™
music of the apeirogons - brain-hexing music - midi dada New releases on Bandcamp:
“It must be emphasized that this isn't a band and there is no post-production reassembly: it's one person playing a multi-faceted, self-feedbacking instrument, and it's all done with a single pass. Yet it sounds like group activity...
...St Celfer makes the work in a single take. The "assembly" is making an instrument that creates its own variables and accidents and conveys an impression of dense multitracking."
Read more of Tom Moody's first impressions of the Step.4D™ here:
https://www.tommoody.us/archives/2021/03/26/st-celfers-step-4d-instrument/
Wave Track #7 comes to us from St Celfer, a Korean-American sound artist and musician who splits his time between Sao Paulo and Seattle. His track, Fifty One,
wastes no time announcing itself, beginning with a sequence of
machine-like, harsh sounds that rise in volume before slowly giving way
to a melancholic rhythm, interspersed with soft tones that combine to
create a nostalgic, almost cinematic quality. In just under three
minutes, St Celfer manages to elicit a strong yearning for elsewhere, a
sensibility that encapsulates–and communicates with–the other works
presented in Infrasonica’s Wave #7. We hope you enjoy listening. INFRASONICA.ORG
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| photo by Eung Ho Park |
WFMU
ST CELFER (@ 1 hour 25 and 29 minute marks, respectively, both shows) on 91.3 KBCS (Seattle) Flotation Device hosted by Michael Schell
