BIO

“Seattleʼs St Celfer writes immersive electronic songs that encompass both haunting beauty & wild experimentalism.” - BANDCAMP
St Celfer, treading glitch-tronic failure, creates improvisational future-folk compositions - sound is amalgamated and congealed into a resolution of crossed and overloaded signals. During the isolation of the pandemic St Celfer devised instruments focused on the interface between human and machine, which mount to a single mic stand with interconnected gear attached and arranged to make music in the moment. In performance St Celfer embraces sensory overload in order to unlock ways of perceiving a world made narrow by the impositions of power.
"There is a lot of noise today - we just need to hear the music within it."

St Celfer (john macdougall parker), of American and Korean origin, floats between NYC, Seattle, and São Paulo where you can find drawings on the 'Space Between Points' in the collection of the Museum of Contemporary Art (MACUSP). 4 albums over 4 years are named "New & Notable" by the editors at Bandcamp.com including one featured wave track for Infrasonica.org, ‘Voicing Abstraction.’ His music has been broadcast on Ridgewood Radio (WFMU), Radio Eclectus (KHUH) and Flotation Device (KBCS). Part of the '00's New York music scene playing CBGB's, The Kitchen, Tonic, The Tank, Remote Lounge, Galapagos Art Space, Sputnik, and Stinger Club. John, in the spirit of Charles Ives, always made art and music alongside being a coach and former Olympic athlete. Recent interviews include TomMoody.us, Invert/Extant (UK), and the School of Commons (Zurich).


StCelfer.com
@StCelfer

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