Space Between Points

Study for St Celfer's 'The Space Between Points'
(organism, extra dimension), 2018
sumi-e ink and acrylic paint on paper
76cm x 56cm

(in St Celfer's blue book), 2016
magic marker and pen on paper
25cm x 25cm

untitled, 2015
magic marker and pen on paper
7cm x 12cm

Heart Shaped Box, 2014
resizeable digital photograph

Corner #2, 2013
resizeable digital photograph

eyekhan's second remix
of Tom Moody's Surge Canary drawing, 2008
resizeable digital GIF

DiGel, 2006
DiGel packaging, tape
20cm x 25cm

(at Abstraction Obstruction, Soil Gallery), 2005
plastic bag and felt pads
30cm x 30cm

The Want to Slip, 2002
bathtub stickers
35cm x 35cm

Star Map, 2001
rotatable plexiglass disks and felt pads
25cm x 25cm

Toronto's Harbourfront Centre
'Mods and Rockers'

Inner Circle, 2001
plexiglass and wire
200cm x 50cm

Grate, 2001
150cm x 200cm

Drawing (detail), 2000
mirrors and zip ties

Light My Fire, 1999
wooden frame and matches
25cm x 25cm

Magic Making Ugly, 1999
ink graffiti on studio wall
100cm x 100cm

Targets in a Rock, 1998
oil on canvas
35cm x 60cm

visit my old website

I only realized the connections after:
visiting Malevich, черный квадрат, in Russia 
-- it's not black and it's not square --

meeting Lygia in Brasil. 
This Neoconcretismo connects
math to human 
while investigating
our normal labeled delusions. 
(I'm retracing her life 'caminhando'.)

And destructing language on the way.

I fight the tyranny of the square 
and the desire to put things into boxes.
I want to see Wittgenstein's elephant
while many see themselves in everything.

A frame makes anything look good.