MUSIC


St Celfer™ on the Step.4D™

  • Step.4D.bckwrdE

    • 2022
      coming soon: Live Video from São Paulo, Brasil (December 2021)

"Seattle’s St Celfer writes immersive electronic songs that encompass both haunting beauty & wild experimentalism." -- bandcamp editorial staff


StC Lives the one (60's): https://stcelfer.bandcamp.com/album/stc-lives-the-one-60s

Step.4D.purpll.pizza on mtl.asm Purpll Sample Pack Sweepstake:  

https://soundcloud.com/user-754641822/step-4d-purpll-pizza 

"51" & "74" on Eastside's FM 89.7 May 31, 2021 Spirit House: https://eastsidefm.org/episodes/spirit-house-800pm-31st-may-2021/# 

"61" on 91.3 KBCS's Flotation Device, hosted by Michael Schell, August 1, 2021: https://www.mixcloud.com/flo.../flotation-device-2021-08-01/ 

"51" on Wonderchill's Avant Garden #11:https://www.mixcloud.com/radiobrennpunkt/wonderchills-avant-garden-11/(~ 42:54) 

St Celfer's™ Space Between Points™

 

Suites #1​-​9: https://stcelfer.bandcamp.com/album/suites-1-9

"...at times it reminds me of Charles Ives with several ensembles playing simultaneously, and motifs fading in and out of our attention..." -- Tom Moody


eleven tracks by St Celfer and Tom Moody:   
https://stcelferandtommoody.bandcamp.com/album/eleven-tracks 
HISTORY: https://www.tommoody.us/archives/2020/12/13/st-celfer-and-tom-moody-eleven-tracks-collaborative-lp-released-on-bandcamp/
Suite #8 March of the Covids on Art Music Lit Space, Methods of Negotiation: https://stcelfer.bandcamp.com/track/suite-8-march-of-the-covids
Suites #6 Etude, #3 Dirge 1, #6 Serenade, No Cry on Radio Eclectus #74, Hollow Earth Radio (104.4): https://www.mixcloud.com/RadioEclectus/radio-eclectus-74/ (~16:04)
Suite #5 Prelude on Radio Eclectus #35, Hollow Earth Radio (104.4): https://www.mixcloud.com/RadioEclectus/radio-eclectus-035-seattle-flu-mar-12-2020/ (~18:03)
Suite #2 Divertimento on Radio Eclectus #29, Hollow Earth Radio (104.4):   https://www.mixcloud.com/radioeclectus/radio-eclectus-029-radical-new-music-jan-30-2020/ (~27:55)
Suite #2 Impromptu on Radio Eclectus #15, Hollow Earth Radio (104.4): https://www.mixcloud.com/radioeclectus/radio-eclectus-015-haas-sorey-crispell-crumb-oct-24-2019/ (~0:00)

 "St Celfer deploys a kaleidoscopic assortment of varied electronic textures with associated melodic motives in a free, improvisatory fashion, recalling landmark jazz fusion and minimalist albums of the late 1960s and early 1970s such as Miles Davis’s Bitches Brew and Terry Riley’s A Rainbow in Curved Air. " -- Art Music Lit Space


earcon (with Tom Moody)


earcon

  • 2019-2020

earcon Sampler: Tom Moody Edit: https://stcelferandtommoody.bandcamp.com/album/earcon-sampler-tom-moody-editHISTORY: https://www.tommoody.us/archives/2021/01/12/earcon-sampler-tom-moody-edit-new-bandcamp-release/

Best Blips (the funkiller years): https://open.spotify.com/playlist/6Fa5Ldg2mi5Bpi7vDy76f5
funkiller 3+4
apple: https://music.apple.com/us/album/says/784679439?i=784679516
spotify: https://open.spotify.com/album/7isYiN5MmjpfCqJaiCVGS2

"dissonant and 'art,' as opposed to arty... ...had beats, but also skronky sounds resembling giant uncoiling springs overlapping in reverberating, Stockhausenlike crescendos. Also...some pretty melodies wafting into the mix" -- Tom Moody


Man From Planet Risk

"what might be called "downtempo horrorcore" (or The Music Formerly Known As Triphop--more on this below) but the live set... ...tipped the sound over from the hiphop column to rock-and-roll, a kind of minimalist psychedelic metal. ...the sound is truly trippy: keyboardist/laptopper jenghizkhan approaches music like a painter... ...to make layers of artfully mangled sound. Imagine Ennio Morricone eclectism shot through with the kind of dreamy, smeared psychedelia of San Francisco post-punkers Chrome, or the European hardcore tech of The Mover set to a hiphop beat. But also none of the above." -- Tom Moody

!M.O.O.B He Goatan


jenghizkhan


"live improvisation with programmed sequences built up in the studio note by note.  ...has a nasty edge of pure DSP (digital signal processing), which may explain (his) popularity with the 8-Bit crowd in attendance last night. Also, his penchant for unexpected dark metal riffs popping up out of the sometimes atonal chaos of live sequencing and knob turning didn't hurt."  -- Tom Moody




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